In 1998 I began my artistic career participating in salons and competitions. I do individual and collective exhibitions. In the beginning, my works reflect Argentina´s landscape, my native country, with its horizons and its vast fields.
In 2003 I moved to Europe where I currently live. I have travelled to different parts of the world appreciating different landscapes and living with different cultures that have matured a new vision.
These works capture an instant in universal space and make it perennial. They stop the time, the atmosphere of a moment and the ephemeral play of lights on landscapes. A new stage arises from the need to express most truthfully the art that is within me, called ART PLAFF, like a slap that tries to make you react. In a constantly changing society with a tendency to modify, hide and alter reality, as a communicator and with a commitment to authenticity my art must show current changes and truly reflect the society.
In Italy, I have started to develop an art committed to the environment using the internal part of milk boxes as support. Since I live in Ibiza my art has evolved incorporating plastic as the main material.
Learn more about Ezequiel
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Julieta Laino was born in 1979 in the province of Buenos Aires, Argentina. Her first steps in the art world were in ceramics and dance disciplines. She studied to become a Classic Dance Teacher and was part of several dance troupes within a company. Later in her life she graduated as a Graphic Designer in Universidad de Belgrano (2001, Buenos Aires, Argentina). She worked in Buenos Aires as a designer for different studios, specifically in institutional communication and branding. Later, she opened her own design and communication studio.
She studied expressive and Japanese calligraphy.
Life turns lead her to the journey of deep self-discovery. As a result of that search, she became an Anusara Yoga Teacher for which she travelled around the United States, Peru and Chile. She worked as a yoga consultant and was in charge of the management and direction of yoga and meditation seminaries with renowned yoga masters.
In the last six years, she has been designing and offering courses to develop human potential, joining together yoga tools with art and design concepts.
In the present, she is involved with art projects and visual essays as a way to explore human evolution´s nature.
Learn more about Julieta
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Sedimentary rocks, sandstone, clays converge on the soils of our changing world. Elements that are transformed by supporting others, of living, fiery natures ... some heavy, others light that without knowing why they disappear before the indecisive observer's eyes.
Everything comes to the surface after having traveled a decisive path in evolution, it reaches our hands to make us feel minuscule in the face of an element that allows us to know it, investigate it thoroughly, even mistreat it, undo if necessary without realizing it. We own it and we pamper it, we transform it in such a way that we alter its nature to make it stronger, to make it part of ourselves, part of our emotional trajectory and we shape it, mix it, structure it according to our changing needs. We make you participate in our biorhythms and we begin creation.
Colored clay, irons, patina, minerals, chamottes, volcanic earth are the friendly elements and transformed into a ceremony at 1250 Celcius degrees, whose honeymoon will never end.
Learn more about Pedro.
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Martin Romero Tamae
Las imágenes nocturnas dibujan con la luz las diferentes formas manifiestas, estas se representan como pequeñas situaciones fuera de la mirada del espectador, imágenes habituales, cotidianas de jóvenes desprovistos de identidad, que pueden ser cualquiera de nosotros o ninguno de nosotros sin distinción, como cánones o patrones de belleza hoy.
Estos efímeros momentos donde los personajes crean situaciones dionisíacas de rebelión, alienación, borrachera y delirio permitiéndonos observar ser parte de ese mundo, estos se acompañan de objetos perecederos como la carne y globos etéreos como la juventud, como la rebelión.
Me interesé como artista en esta serie de acrílicos para investigar estas áreas, la identidad, lo perecedero en técnica con una mirada moderna y fresca, en una palabra, mostrando imágenes del siglo XXI con materiales del siglo XX.
La técnica empleada en esta serie figurativa nocturna es la búsqueda y selección de imágenes en internet para intervenirlas, para luego trabajar con una técnica mixta al carboncillo seguida de pintura acrílica sobre un marco de lienzo.
Learn more about Martín.
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Rose Marie Bellemur
The way in which artworks are made varies considerably from piece to piece. Some of them are thinly painted while others are more complex. There is a suggestion throughout of flux and a strong sense of arriving at an image rather than the creation of a fixed representation. There is not necessary to draw up universe limits, we can get a new unlimited line, each visible fragment has an infinity appearance.
As an artist, I have suffered different stages: figurative paintings, geometric, landscapes and collages. The painting process comforts us to the visibility of abstraction, still remain loyal to proceed. My goal is to get the latest limit lines, exploring latest figuration possibilities, with the support of the stylistic abstraction by using large canvases format, like a good way to drive mi oil painting, which is my favourite, but I also use acrylic, ink, watercolours, coloured pencils and pigments.
Learn more about Rose Marie.